Tuesday, 31 March 2015

Screening/ Audience Feedback

We asked four people at the age of 16-18 to watch our thriller opening  and give feedback. There were two males and two females. We were more than happy to get feedback from them. Here are the questions we have asked them:

  • Did you understand the plot?
  • What did you like about the sequence?
  • Was there anything you didn't like about the sequence?
  • What would you add/change?
  • Was the music affective? How?
The audience was clear about the plot. There were five main things that the feedback showed the audience liked; 

  1. A variety of camera angles within the sequence
  2. Different camera angles used to represent actions and movement of the main character
  3. Intensity
  4. Fluidity
  5. Effective music
The only critic that we got was the fact that we need more diegetic sound within our sequence.







Monday, 23 March 2015

Introducing our group

Our group is not large and is only made up of girls.
There are four people in our group:

Arsena


Naomi



Courtney



and Me :) (Diana)


Our ident is made up from our first name's initials.
NACD, which stands for
Naomi, Arsena, Courtney, Diana



Thursday, 19 March 2015

Designing/Making Title Sequence

Title Sequence


Two members of our group, Arsena and Naomi, has done the editing of title sequence by using Adobe Premier Pro. at the same time they had added music and titles on our thriller opening and in that way finished our final work's first draft.




Mise-en-Scene

Mise-en-Scene 
''In The Scene Or Frame''


The setting where a media text takes place.



The elements of mise-en-scene are:
  • Settings and Props
  • Costumes, hair and make-up
  • Facial expressions and body language
  • Lighting and Colour
  • Positioning of characters and objects in the frame

Denotation and Connotation (colour):

Denotation - the literal description of an idea, concept or object.

Connotation - what we associate with a particular idea, concept or object.


In film, the colours are usually thought about as they work on the subconscious mind to create mood. As, for example, in film 'We need to talk about Kevin.
In this film colour red is used a lot as it creates tension and foreshadows the ending of the film.


The colour red in films are usually connotated with danger. 


Facial expressions and body language:

Facial expressions is the main aspect in a film as it allows to understand the emotions and feelings of a person. For example, fear, confusion, happiness is mostly shown through facial expressions by using close up shots in a film. 
Body language is also is one of the most important aspects when talking about emotions. Body language, the way the person is standing, walking, moving around can give out what he feels.

Positioning of characters in objects in the frame:

 Positioning of character is showing the importance of character within a frame. Focus and blurring out as well helps to understand, as if only one character is in focus that might mean he is the main character in a scene or character might be the one who is talking.



When a shot is in deep focus both foreground and background are in focus. This allows the audience to choose what they want to focus on, as for example in a film 'The best years of our lives'. 

The Birds

The Birds


The birds by Alfred Hitchcock is based on a few media theories that I know. However, this film is also challenging a few. For example, as there are usually a stereotypical hero and villain in a film, this film is different. The 'villain' in the film are The Birds. The hero, whatsoever, is not a stereotypical hero. Mitch Brenner (Rod Taylor) was a hero to his family, however he did not save anyone else where as in stereotypical hero-villain film the hero would usually save everyone.


I believe I can put this film in a category of The Hermeneutic Code (keeping the audience in suspense and questioning). My decision was based on the film's plot which does not allow the audience to understand the reason of the behaviour of the birds and see further towards the end of the film.

Another media theory I am going to talk about is Todorov's Narrative Theory that can be applied to most of the films (if not all). This theory is based on the idea that films' plots are following five simple steps most of the time. This movie is one of the ones that are.


  1. A stage of equilibrium
  2. A disruption of that order by event
  3. A recognition that disorder has occurred
  4. An attempt to repair the damage of the disruption
  5. A return of a NEW equilibrium
These five steps can be interpreted in any way. This film is following the steps in this order:

1. The film starts with Melanie Daniels (Tippe Hedren) doing her everyday duties. She goes to an animal, mostly birds, shop. This is where she meets a man, Mitch Brenner, however, after a short talk they goes different ways.





2. As Melanie gets interested in this man she decides to make him a nice surprise by following to his hometown and bringing him to birds that she secretly leaves in his house. However, as she is leaving the house by boat, she's attacked by a bird.




3. As the attack happened once Melanie and Mitch does not take it too seriously. As the attacks repeats more often, the birds starts attacking in groups and Mitch's mother Lydia Brenner (Jessica Tandy) finds a dead body, the couple decides they need to be the way more careful.





3. The family decides they need to hide in a house as it seems the safest place to stay in. Mitch, as the only man in the group, feels the responsibility to protect his family and starts nailing up the windows. However, as the attempt to hide from the birds does not work, Mitch decides that he needs to lead his family away from the town.



4. A new equilibrium starts as Mitch, Lydia, Melanie and Cathy Brenner (Veronica Cartwright) gets into the car and leaves the town full of birds behind them.

Friday, 6 March 2015

Movie Psycho

Psycho


Psycho is a well known and probably the most known film from Alfred Hitchcock's collection. This thriller is not only thrilling but mysterious as well. 
'Psycho' not only follows the rules set for thriller movies but also follows most of the media theories as well. Firstly, Roland Barthes' Enigma Code:

In my opinion, the category 'Psycho' should be picked to is The Hermeneutic Code (the voice of truth) as the film itself keeps the audience in suspense and questioning about how else can the story line go.

The second theory is Todorov's Narrative Theory

This theory is based on five stages and I would probably agree that 'Psycho' follows most of them:
1. A stage of equilibrium
In this stage of a movie, Marion Crane is shown in her normal day, working. At that point there is nothing, that could be called unusual, happening. She leaves the work earlier than usual because of a headache, however, no one could tell that this kind of action is suspicious. Even knowing that she takes a large amount of money with her, the audience could not think about her as if she was a thief as she works in a company for a long time and is trusted.

2. A disruption of that order by event
When it looks like everything is going just fine, Marion Crane decides to run away with a large amount of money given to her. She is not sure whether she should do that, however, she does not turn around and goes missing.

 3. A recognition that the disorder has occurred
As the audience see a detective starting to solve the case, they realises that the film character already accepts the situation and believes something is wrong.










4. An attempt to repair the damage of the disruption
When the audience starts seeing Lila and Sam, then there starts the attempt to clean up the mess that is going on. As they are going after Marion and the detective, they understand that something wrong is going on and they want to figure out what.







5. A return or restoration of a new equilibrium
The new equilibrium starts as Norman Bates is being arrested and that gives the audience an idea that he is no more a worry and no one else is about to be hurt by him.

The last media theory I would like to add is Laura Mulvey's - The Male Gaze 

This theory is mostly based on Laura Mulvey's opinion that most of the films are showed through the eyes of a male.  I believe that 'Psycho' does kind of follow this theory as when talking about the gender roles in the film, women where not as important. Even knowing it starts with Marion as a main character, she is actually not. The movie is interestingly made and there is basically no main character in it.
The women in the film are represented as weak and the film makes it feel like women have to be kept safe and looked after. For example, when Lila and Sam decided they had to check the Bates Hotel, Sam did not agree that Lila should go with him as it could be dangerous there.